- late 19th century
- MATERIAL AND TECHNIQUE:
- 17 1/8 × 8 1/8 × 5/8 in. (43.5 × 20.64 × 1.59 cm)
- Arts of Africa
- Arts of Africa, Level 3
- CREDIT LINE:
- Dallas Museum of Art, gift of Dr. Hebe Redden and Dr. Kenneth Redden
- This work is in the public domain. Image courtesy Dallas Museum of Art.
- OBJECT NUMBER:
Hand-held crosses have been in use in Ethiopia for centuries, and are an integral part of the practice of Ethiopian Christianity. The crosses are made of cast metal or hand-carved wood and most often consist of a cross of equal-length arms, a short handle, and a square base. Some scholars have suggested the square base represents the tabot, the consecrated slab identified with the Ark of the Covenant, and the tablets of law it contained. Hand-held crosses belong to individual priests, who use them to perform benedictions, in which the crosses avert evil and invoke divine blessings. These blessings occur not only within the context of worship, but also in priests' day-to-day interactions with lay people.
This particular cross from the late 19th century shows the dead Christ, the tip of the Lance of Longinus, and the hands of angels with cups to collect the the streaking blood of Christ.
Jacopo Gnisci, "Crosses from Ethiopia at the Dallas Museum of Art: An Overview," African Arts 51, no. 4_ _(Winter 2018): 48–55.
Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 264-266
C. Griffith Mann, "The Role of the Cross in Ethiopian Culture," in Ethiopian Art: the Walters Art Museum, ed. Deborah E. Horowitz (Surrey, UK: Third Millennium Publishing, 2001), 75.
Csilla Fabo Perczel, DMA Unpublished material, 1992.
- The Walters Art Museum
Read more about Ethiopian hand-held crosses.